Tag: Contemporary Christian Fiction

When does a contemporary novel become a historical?

Bookish Question #122 | When does a contemporary novel become historical fiction?

When do you think a contemporary novel becomes historical fiction (or vice versa)?

This question came up in a Facebook group recently. An author wanted to know if a novel set in 1979 would be classified as contemporary or historical. That got me thinking … and searching.

Who gets to decide whether a novel is contemporary or historical? It could be:

  • Libraries (if they classify by genre)
  • Bookstores (who usually classify by genre)
  • Writing organisations (especially those with genre-based contests)
  • Authors (especially when they’re self-publishing)
  • Readers

Most libraries I’ve visited organise fiction by author surname, not by genre, so that’s no help.

Bookstores often classify by genre.

But each store has different classifications, and it’s not always easy to tell what’s what. It doesn’t help that bigger stores usually classify a Christian historical romance as Religious rather than Historical (and if a book featured an African-American character or was written by an African-American author, it might be classified as African-American fiction, not Religious or Historical).

I checked Amazon, but couldn’t find any definition of historical.

That’s not to say it doesn’t exist. I just says I couldn’t find it. If you know where Amazon has a definition of contemporary vs. historical, please add it in the comments!

Amazon use the BISAC (Book Industry Standards and Communications) codes, and I couldn’t find any definition of historical on their site either.

Amazon also isn’t helpful in that publishers self-classify—which is how we find novels in the nonfiction categories, and The Tattooist of Auschwitz in the Australia and Oceania category. (I can only assume someone mixed up Austria and Australia …)

What about writing organisations?

American Christian Fiction Writers have Contemporary and Historical categories in their Genesis and Carol Awards. They define Historical as “up to and including the Vietnam era”. The Vietnam war ended in 1975, so I guess that’s ACFW’s current definition of “historical”.

In contrast, the Romance Writers of America RITA Award and Romance Writers of Australia Ruby Award both classify “historical” as set before 1950. If you’d asked me, I think this is what I would have said—but I’m equally happy with a 1975 or even 1980 date.

With more recent historical fiction, I expect the time setting to be deliberate. For example, Pamela Binnings Ewen has written several legal thrillers set in the late 1970s and early 1980s. She’s writing about things like women’s rights and women in the workplace, so the 1980s setting is important. They would be different stories if they were set in the 1990s or 2010s—no matter whether the stories were labelled “historical” or “contemporary”.

In general, I expect contemporary stories to be set today—this year (or last year).

I expect characters in contemporary novels to have smartphones and Facebook and GPS and the Uber app (unless they’re philosophically opposed to smartphones and Facebook and GPS and Uber … which could make for a fascinating story).

If the novel is “contemporary” and doesn’t have these things, then I need to be clued in pretty quickly that the novel isn’t set today.

When does a contemporary novel become historical fiction? Is there a fixed date? Or is it up to the publisher (or reader)? #HistoricalFiction #ContemporaryFiction Click To Tweet

I’ve recently reviewed West of Famous by Joni M Fisher, which was set in 2010. That worked for the story, but also worked because the opening made it clear the story was set in 2010. (And yes, there were a couple of plot points that wouldn’t have worked as well in 2019). In that respect, the story was actually historical … even though 2010 is hardly a long time ago.

But what about a story written and published in 2010 that I’m only reading today? Personally, I say that’s a contemporary story. Why? Because it was contemporary when it was written and published.

Using that same logic, Jane Austen was a contemporary novelist, because she was writing about the issues of her day. So were Charles Dickens and Agatha Christie.

So I consider a contemporary story as one that is written and published in the time in which it is set (whether that’s today or two hundred years ago). And a historical story is any story where the author is consciously looking back in time.

What about you? When do you think a contemporary story becomes a historical story (or vice versa)?

Book Review: Kept by Sally Bradley

Kept by Sally Bradley

If you’ve signed up for my monthly Newsletter, you’ll already have receive my entirely biased list of 50 novels from my favourite Christian authors. Today I’m reviewing Kept by Sally Bradley, another edgy contemporary Christian romance novel, set in Chicago. This review previously appeared on my personal review blog, Iola’s Christian Reads.

I first saw Kept reviewed by Rel Mollet of Relz Reviews. Like me, Rel is tired of reading Christian novels which have the same feel as every other Christian novel. We’re looking for something real, something different, but something which still affirms our Christian faith. Rel raved about Kept, and while I bought it immediately, it’s taken me a while to get around to reading it. I kept (ha ha) hearing good things about it from people whose opinions I respected, and I started to wonder … could it really be that good? Or was I setting myself up for disappointment?

Well, Kept really is that good.

Kept isn’t perfect. There was one amusing typo (a segue is a change of topic in conversation; the two-wheeled ride-on has the same pronunciation, but it’s a Segway. Silly name, if you ask me). There was one scene from the point of view of a minor character that didn’t seem to add anything to the plot (and in hindsight, could have been eliminated), and there were a couple of minor plot points that didn’t make sense (maybe they’ll make more sense on the re-read). And there were times when I would have liked to better understand what was going on inside Dillan’s head. He plain didn’t make sense at times.

Of course, he’s a man, so that could explain things.

Those details aside, Kept clocks up a number of achievements that rate highly with me. She’s managed something completely original—a story about a kept woman, a euphemism for a high-class prostitute—yet it’s unashamedly a Christian novel, a story of forgiveness and redemption that reminded me of Redeeming Love by Francine Rivers. The writing is excellent, and manages to cover some gritty ground without ever spelling out the ugly details.

Sally Bradley has created a cast of likeable characters who feel true to live, even in their failings. Dillan, at “six foot thirteen”, is a complete klutz, which perhaps forces him to cultivate a friendship with Miska even when he’d rather avoid her. His brother, Garrett, is a loveable lawyer with a past he’s still trying to get over.

Miska is complex. At first she comes across as the sweet girl-next-door—until we begin to get to know a bit more about her, and realise she’s caught up in the oldest profession, and telling herself the biggest lie: that he’ll leave his wife for her. One day. It’s never exactly explained how she became a kept woman, but we see enough of her background to realise it’s a logical progression, and that she feels no qualms for taking the men in her life for everything she can get. After all, that’s all men have ever done to her.

Miska’s scenes showed how good the writing was, because I was completely engaged in her character. She’s an intelligent woman who does dumb, DUMB, things when it comes to men, and there were times I wanted to give her a good shake. Dillan and Garrett were similar, and even at the end I was thinking that Dillan needs to get over himself, while Garrett just needs to get his head examined. They were frustrating, but in a good way—like a teenage daughter.

Their actions might be annoying, but you love them anyway.

Yes, that pretty much sums up Kept. Recommended for those who want something real in their Christian fiction.

You can find out more about Sally Bradley at her website.